De La Soul’s Mistake and Hip-Hop’s Lost Opportunity

In 1991, only one album into its career, De La Soul tried to pull off an unusually audacious move. The hip-hop trio’s 1989 debut, 3 Feet High and Rising, was a dense but accessible bricolage of dad-rock samples and flip-it-and-reverse-it nursery-rhyme syntax, establishing the group as innovators with commercial muscle. Two years later, De La Soul publicly renounced the album, dumping everything that made it an instant classic in an act of self-nullification from which the band never really recovered. The follow-up album, De La Soul Is Dead, sounds like an insecure crew taking wild swings at perceived enemies—Vanilla Ice, MC Hammer, the West Coast gangster-rap insurgency—and missing badly. The beats are sluggish, and 3 Feet High’s sample surprises (Hall & Oates! Steely Dan!) are absent, giving the record a thin, attenuated feel. It begins inauspiciously, with a skit involving a kid finding a copy of 3 Feet High in a trash can, and falls further into dispirited score-settling. It is also entirely too long, and both jokey and humorless. And worst of all, it squanders the group’s only opportunity to chart an alternative path for hip-hop at a moment when its adversaries were poised to usurp the genre. In...