Alice Doesn’t Live Here Anymore at 50: the film that marks a path not taken in Scorsese’s career

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IMDB by Adrian Danks, RMIT University Alice Doesn’t Live Here Anymore, released on December 9 1974, is a fascinating composite of both 1970s New Hollywood and the legacy of the women-centered melodrama of the 1930s and ‘40s. It is now mostly remembered as an early film directed by Martin Scorsese. But it was actually a project initiated by its lead actor, Ellen Burstyn, fresh off a series of acclaimed films including The Last Picture Show (1971), The King of Marvin Gardens (1972) and The Exorcist (1973). The film would go on to be a significant commercial success, earn Burstyn the Academy Award for Best Actress, and inspire a much less gritty and profane sitcom that would last for nine seasons and featured only one (male) member of the original cast. A step toward Hollywood The subsequent critical reputation of Alice Doesn’t Live Here Anymore is somewhat skewed by its status as an atypical Scorsese film. The director had only made three features: Who’s That Knocking at My Door (1967), Boxcar Bertha (1972) and Mean Streets (1973). Largely working outside the mainstream, he already had a significant critical reputation as a chronicler of flawed urban ethnic masculinity. It is also fascinating...

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